the ocean, embryonic, continues to rise
poetry by Kolleen Carney Hoepfner
the ocean, embryonic, continues to rise
she cursed the light that fell casual
then stopped, hanging—
this was the way home: swimming downward,
the water calibrated to her body.
she was capable of every muscled synchronicity,
calf and forearm, flex of ankle,
watch her go—
new human,
say it: daughter.
and above the surface she seemed
to be taking pleasure
in the soundless depths of living—
she was home.
do you think she’ll float?
.
–if she doesn’t
it shouldn’t matter.
there was no escaping she who exists only for the sea.
//
​
mostly, things are quiet:
it’s a hunting strategy.
there has been no time to dry. there has been no time for anything.
it is a horror: this feminine impression,
the delicate construct of bones, the unnamable eye bioluminescent,
the lower body, the glass flower,
the muscular curl constructed to survive
whatever the cost.
the human must be incredibly flexible
no matter how fragile they seem
from throat to lap.
she pulls apart and then, by summer
she will be in her sweetest tone,
chasing mermaids
blessed and limitless.
//
she is filled with the surface of the sea,
the swell-hitch luxury of bubble and shell
all stolen valor, the amplifying effect,
​
the photic zone.
she knows
the ocean, learned to walk with salt,
loves only this:
the foam baptizing her feet
whorl of shell, glint of glass
smoothed into a mothering roundness
she barely recognizes
except for a sharpness under her tongue
from time to time.
//
at the mouth of the world
the waters open,
give up their secrets: the ghosts of childhood,
a deepwater sampling—
​
//
they will expect her to be virtually invisible
with a delicate respect
for the drowned world
but this is not where she will belong.
she will make sure they know
that water is not proof of life;
the ocean has never been gentle,
every inch,
every discernable surface
will be riddled by bones,
haunted by ghosts,
punished for hubris.
the sea holds a grudge
but she will have the privilege
of sitting in the sun
of relative solitude.
give those beasts the good, clean death.
//
​
sometimes she will wish the sea filled her.
a moving ship wouldn’t understand
that a woman looks different every time.
//
where was the past in relation to her corporeal self?
what fossilized history lives beneath the enamel of her dogteeth?
how many have died so that she could manage to survive?
it is never enough.
//
​
she will hide
in the deepest womb of the ocean
the divine secret.
below, deeper still,
where it could reach full growth
the her of her will be waiting.
//
every day will be a beautiful day, then.
the ocean we have
is not responsible
for the creatures that made it
what it is.
she is a woman whose eyes stare out to sea,
propelled by amniosis,
oiled skin shining in the forever sun.
you don’t have to imagine
how she twinkles
against the slick pitch ever.
she realizes her protector gives good distance;
if she waits here long enough
it might provide her the goddess.
//
let her stay that way, brown shoulder darling,
lashflash ready and grit,
skin rough like sharkhide.
and let the rest of them live,
hands behind their backs,
throats waiting for a final
dizzying convention.
o Daughter whose eyes are every color of the Pacific
o depthless Daughter, eyes unsinkable,
unknowable—
For Leda Lynn
Kolleen Carney Hoepfner
Kolleen Carney Hoepfner's poetry and other writings can be found in Rabid Oak, Memoirs Mixtape, Glass, Occulum, and elsewhere. Kolleen serves as Editor in Chief of Drunk Monkeys, and is the Managing Editor and Social Media Coordinator for Zoetic Press. She is the author of Your Hand Has Fixed the Firmament (Grey Book Press) and A Live Thing, Clinging with Many Teeth (Spooky Girlfriend Press). Her main goal in life is to have Alec Baldwin smile at her. She lives in Burbank, California, with her husband and children.