A Myth in Reverse
poetry by Clare Ace
A Myth in Reverse
I can say
“I’m just not interested”
but that is not quite right.
It would be easier to give
obvious examples –
Todd Chavez, Sherlock –
and accept your recognition
(cheers to the importance
of representation).
Two for a tiny whole.
How much work they do.
Why do you paint yourself with make up?
Why do you make yourself beautiful?
“I like to be around beautiful things,
and I am around myself all of the time.”
When I say
“My celebrity crush
is Tom Hiddleston,”
I also mean to say
“My celebrity crush
is Monet’s Waterlilies.”
“You wouldn’t fuck a painting, would you?”
I ask, to help you half-understand,
because my answer is that I would rather
fuck a painting than a person.
Give me a reversed Pygmalion
and turn him to stone under my hips
or let me paint myself into waterlilies.
Let a god hang my print in his dorm-room
and lie back on the thin twin bed
thinking of blending colors
as his hand breaches his waistband.
Let the camera pan to the curtains,
they’ve seduced you before
on familiar silver screens.
“Who mourns for Adonais?”
asks the Star Trek title card.
“I do,”
I say to Roddenberry’s utopia
of primary colors
inclusive diversity
and foreign, recognizable worlds.
I do.